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The Shure SM7dB's integrated preamp provides a selectable preamp gain boost of either +18dB or +24dB, which can be set on the back of the microphone, to deliver the most suitable level for recording and broadcasting applications. The broad and largely linear frequency range of 50Hz to 20kHz ensures a precise sound reproduction, which also enables both instruments and electric guitar amplifiers to be miked to optimum effect. The preamp bypass switch on the back of the microphone can also be used to deactivate the preamp, which is a new addition to this version, for users wishing to revert to the traditional sound of the SM7B microphone, while the overlying switches can be used to control bass roll-off and also to increase mid-range frequencies and thereby boost presence for greater vocal clarity.
In addition to being a great choice for simple setups in which speakers and singers alike can focus fully on their content, this dynamic microphone also features electromagnetic shielding against broadband interference emitted by DAW computer screens and first-rate hum compensation for interference-free recordings. The low inherent noise produced by the Shure SM7dB microphone also helps users to achieve high-quality recordings, and further noise interference in the form of impact noise or plosive sounds in the signal is also largely prevented courtesy of the pop filter and pneumatic shock absorber. The microphone’s rugged construction and effectively protected microphone capsule for outstanding reliability and guaranteed long-term use add the perfect finishing touches to the design.
In addition to a pop filter, the scope of delivery also includes a brass reducing thread, which is used to mount the 20.6cm-long Shure SM7dB on a corresponding microphone arm. This adapter can be tightened using an optionally available screwdriver or an ordinary coin. The microphone should then be directed at the sound source at a set distance of between 2.54cm and 15cm, depending on the required proximity effect. Where necessary, the microphone bracket mount can also be removed for mounting on a conventional microphone stand and then realigned accordingly by inverting and rotating it so that the back of the microphone is the right way round for reading.
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