SD-5 Dynamic Microphone with Hemisphere Modeling

Revolutionary modeling technology

The SD-5’s standout feature is its Hemisphere mic modeling technology. This groundbreaking tool enables you to emulate the sound characteristics of classic microphones historically used for bass and drum recording. By simulating various mic models, including those from Shure, Audix, the SD-5 provides unparalleled versatility and sonic authenticity in a dynamic microphone, ideal for capturing robust bass tones and the powerful impact of a kick drum.

High SPL handling for dynamic recordings

With its ability to handle high sound pressure levels, the SD-5 is exceptionally suited for recording instruments that produce intense volumes. This capability ensures that every nuance of your performance is captured with clarity and precision, from the subtlest lows to the most forceful peaks, making it an invaluable tool for professional-quality recordings.

Optimized for performance environments

The SD-5’s supercardioid polar pattern is specifically engineered to offer outstanding isolation and focus on the sound source. This design is perfect for both stage and studio settings, where managing ambient noise and preventing sound bleed are crucial. Whether you’re recording in a controlled studio environment or live on stage, the SD-5 ensures that your recordings are clean and focused.

Durable, stylish design for lasting use

Beyond its technical prowess, the SD-5 boasts a robust all-metal construction and vintage styling that reflects its premium quality. This durable design not only enhances the aesthetic of your recording setup but also ensures that the microphone can withstand the rigors of touring and frequent use, providing reliable performance for years to come.

Five unique mic models via Hemisphere modelling software

Complete with the SD-5 are five unique mic models based on classic vintage microphones used on countless hit recordings. Firstly, the DN-12A is based on a classic dating back to the 1950s and a favorite of the legendary John Leckie. It’s perfect for kick drums when used with a 421, bringing out that vintage sound. Then there’s the DN-112, an Austrian gem known as the go-to mic for kick drums in Hip-Hop and Rock, famous for its deep lows and crisp highs.

The DN-6 is your American studio staple for kick drums, especially loved in Metal for its deep bass and bold, contoured sound. The DN-52 offers a balanced sound with excellent low frequency capture, making it versatile for almost any kick drum or bass instrument. Lastly, the innovative DN-SUB uses a full-range speaker driver wired in reverse to grab those ultra-low sub frequencies, a neat studio trick now simplified with Hemisphere’s technology for an extra punch on kick drums and bass cabinets