Blackmagic Design CINECAMMICHDMFT (MICRO CINEMA CAMERA)

The Blackmagic Micro Cinema Camera is a miniature digital camera with a Super 16mm-sized sensor designed to be operated remotely and capture footage from virtually anywhere. The image sensor supports 1080p video up to 60 fps and 13 stops of dynamic range. The camera is equipped with an active MFT mount that can accept native MFT lenses or be adapted to a wide range of other modern and vintage lenses using optional third-party adapters. Video is recorded to SDHC/ SDXC memory cards using the 12-bit CinemaDNG Raw format 10-bit Apple ProRes family of codecs.

Compact Size

With a compact miniature design of the Blackmagic Micro Cinema Camera combines advanced miniaturization and a unique expansion port in a digital film camera that lets you create personalized rig for remote operation and monitoring. Use it like an action camera for high-quality POV shots, or using it with a quadcopter for stunning aerial shots its core is made out of a lightweight magnesium alloy that makes it durable enough to shoot anywhere. You can control the Micro Cinema Camera directly from the front buttons when it’s mounted, or remotely when it’s out of reach.

Super 16mm Sensor with 13 Stops of Dynamic Range

 The Super 16mm-sized sensor delivers 1080p video up to 60 fps with a film-like look with a wide dynamic range of 13 stops. This means you retail all sensor data for DaVinci Resolve color grading. Plus, you get two dynamic range of settings, Film Log or Video REC709, so you can choose the right dynamic range for your project. Using DaVinci Resolve Lite, which can be downloaded free Blackmagic Design’s website, you can color correct files natively or transcode then into a different file format to suit your post production workflow.

Active Micro Four Thirds Lens Mount

 The Blackmagic Micro Cinema Camera features an active Micro Four Thirds lens mount lets you take advantage of the wide-range of native prime and zoom MFT lenses available. The focus, iris, and zoom on active MFT lenses can be controlled remotely from the camera’s expansion port. Iris can also be controlled on-camera via the Rewind and Forward buttons. Many MFT lenses also have built-in optical image stabilization, making them perfect for use in places where there might be a lot of movement, shocks, or vibration.

Raw and ProRes Recording

 The camera records to SDHC/ SDXC memory cards in either CinemaDNG Raw or ProRes. CinemaDNG Raw files are 12-bit log and give you all of the data from the camera’s sensor, so you have the latitude to change things like white balance and exposure long after the camera stops rolling. If you need smaller file size and longer recording time, you can use the 10-bit ProRes family of codecs to get broadcast quality images. Both formats can be easily edited and color corrected with the free DaVinci Resolve Lite software for Mac and Windows.

Expansion Port and Remote Control

The DB-HD15 expansion port lets you create custom remote control, external power, and monitoring solutions. The included breakout cable gives you access to many of the camera’s unique functions. In additional to LANC, power, video out, and genlock, you also get four analog PWM radio remote control inputs so you can map camera functions to the dials, knobs, buttons, and joysticks on model airplanes remotes. For even more control with greater precision, you can use the 18-channel S.Bus control input with Futaba radio control equipment or custom embedded controllers.

Remote Monitoring

 The expansion port includes NTSC and PAL composite video output that can be connected to cost- effective wireless video transmitter for remote monitoring. That means you can see exactly what the camera is recording whether the camera is in the air or hidden on set. For higher quality monitoring, the Micro Cinema Camera also has an HDMI output for wireless HD video transmitter and direct wired connection.

Audio

The camera’s built-in stereo microphone is omni-directional and features a mechanical design to help reduce unwanted wind noise so you get a clear recording. There is also a built 3.5mm input connector so you can plug in an external microphone. The 3.5mm input jack supports both mic or line level devices and automatically disables  the internal mic when an external one is connected.

Canon LP-E6 Battery Compatible

For remote recording, you can attach any readily available LP-E6 battery to the back of the camera to keep it powered for up to 1.5 hours. The battery level is shown in an overly when the camera is connected to an HDMI display or on the PAL/NTSC video output so you can monitor battery level even when the camera is operated remotely. Additionally, the included breakout cable has a 12V DC input jack so you can use external power supplies to keep the camera powered longer.

Camera Setting Adjustment

You can quickly adjust camera settings using the row of buttons located on the front of the camera.